One of five Juror Choice awards, MFA Summer Show. Nice.


More creatures. Not for everybody. Right for somebody. Used to look like this:

Sayanara.
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Haven’t worked like this for a while. Un-stretched. unprimed canvas. Stretched it’ll be about 60 X 30″ and look something like this:

I will work back into it once it is stretched and sealed. Time to roll it up for now.
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Still Life with Potted Plant 48 X 30″
Jo Fleming Contemporary Gallery is open! I have five works on view. A few of these will be familiar to patrons of the Unsettled Gallery in Las Cruces. Fish, Cat, Accidental Skull, Black Eyed Susans was painted here in Shady Side last August. It has found a new home in Boston. Thanks to Jo for the opportunity to show in her wonderful gallery.

Burst 36 X 36″



Jo Fleming Contemporary Gallery is open! Hours: Wed – Sat, noon – 5pm.
Contact Jo Fleming (703)989-9043 with inquiries.
Address: 68 Maryland Avenue, Annapolis, MD 21401, USA
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On March 16th, I delivered five painting/collages to Jo Fleming’s art gallery in Annapolis Maryland. I’ve wanted to share this, but something came up. The show has yet to open. Given what so many people are going though, this is insignificant.
Recently Jo Moved two of my pieces to the front window, so they are in a sense making their gallery debut via Maryland Avenue near the State House and I am posting it here. Thank you Jo for for showing my work, and thank you Maryland Federation of Art for introducing us. And thank you for checking in. Take care everyone.
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I am so pleased that I was invited to provide an illustration for the book cover of my Friend Robert B. Ray’s latest book The Structure of Complex Images. Here: https://www.palgrave.com/gp/book/9783030406301
Robert has asked me to make brush & ink, pictographic images for a few projects over the years. Thanks Robert, for enriching life for me and so many others.
A shout out to Rachel Reese for making the art print-ready.


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Aviary, March 22 – 25. In progress? Relative restraint and
muted palette after . . .

Grasping @ Koi, March 20 – 21.
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I don’t generally paint in series, (click “series” or see previous post) but these are different times. Above finished(?) yesterday afternoon 4/11/20. There’s a back story to these bird/plant chimeras for some other day.

This painting was completed just before the painting/collage above. The Amaryllis that is blooming in the dining room is making a grand appearance here as well and is morphing into fauna above. The cadmium red is also about the cardinals visiting our feeders in their new spring plumage. Take care.
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I am still growing accustomed to the rhythms and accommodations of making art in Shady Side, Maryland. In the winter months I work indoors for the most part, given the short, often cold and rainy days. I repair to the shed and work close-in with reading glasses on easel paintings lit by electricity. Big Gestures are restrained, and I tend to work with smaller brushes. This seems to be a good time for revisiting works that were set aside.
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Coinciding approximately with the winter solstice, Starlings descend en masse upon Shady Side, chattering, foraging, and rising and descending in waves. Aflight, they evoke descriptions of Passenger Pigeons once filling the sky. For two days after Christmas, they were joined by Robins and Red-Winged Blackbirds splashing in the bird bath, eating winter and beauty berries, and foraging beneath the bird feeders and about the yard. The painting/collage Visitation: Foraging draws on this seasonal avian activity. Serendipitous tracing of a carved wood screen’s shadows led to my painterly flocks. The color palette is all around this time of year. The photo below was taken this morning from our living room window. It does not do the Starling’s visitation justice, but gives you the idea.

Apropos of Winter Landscapes, read a well written article here on a great painter, Charles Burchfield in today’s Washington Post.
Happy New Year everyone!
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Hello Friends, I worked on a book cover in November. The author asked for a simple calligraphic ideogram befitting the book’s subject. I am attaching a section of it here. I will print the full cover when it is published.
The top image is of my collage painting Chrysalis on the right next to the inspiration (along with some of his other collages of the ’60s,) my Father’s collage of the same name. When I was recently visiting family in Florida, I really wanted to see them together. I sent my collage down to Treasure Island last week where they are both well loved. Can’t wait to see them next trip.
New art supplies are stocked, and I’m looking forward to painting in December/January. Purchased a larger heater yesterday that will make the canning shed/winter studio much cozier. Merry Christmas and Happy New Year all!

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