* “Rooster” 40 X 30″ Acrylic/Enamel spray paint enamel /paper collage. August 2021, Shady Side, MD.
*”Decoy” 40 X 30″ Acrylic, Paper Collage, Spray Enamel on Canvas. August 11, 2021, Shady Side, MD.
* “Schooling” 40 X 30″ Acrylic on Canvas. April/May 2021
Surge . . . 63 X 30″ Acrylic on Canvas. Set aside November ’20, Completed March ’21 Private Collection
*Orca (Silas Says So) 63 X 30″ Acrylic on Canvas. Set Aside November ’20. Completed March ’21
We moved back east to Maryland from New Mexico 2015. It took over a year settling in and finding a home and studio shed before I returned to making painting / collages. A distinction between Maryland and New Mexico is the marked change of seasons. The abundance of acid green foliage in spring is nearly overwhelming visually. And summer into fall of course is wonderful. We are surrounded by water and can feel and see the atmosphere. We take it all in commuting and Sunday driving with the pups through southern Maryland. See the latest posts for newer work, work in progress and valiant efforts.
“Fish, Cat, Accidental Skull, Black Eyed Susans,” 41 X 30″ 4/19 Private Collection.
*June 30: “Storm, Uplands Pasture, Western Shore” 24 X 24″ Panel
Chaff Over Water is clearly an abstraction, but personally evokes a storm raging over the hardscape antennae array, at the Naval Research Center facility near Chesapeake Beach.
*”Swamp Circle 1,” Maryland. 20 x 20″ 2017
A sod farm located aside Swamp Circle Road near Deal/Churchton, MD. in early spring during and after soft rain.
This may have been the first “Maryland” and storm painting, painted after the “Jim” paintings following. I was thinking about a harbor. The battleship form on the lower left quad painted itself, and there it is. D&M G Collection
“Crysalis 2” (below) is a straight up effort to emulate the collage work of my Father and primary artistic influence Jim Crane’s 1960 – 70’s collages. My work often dances around this influence. I decided to just go there. HC Collection
I am still very drawn to the Maryland landscape. I think that I “internalized” it somewhat in 2017. Newer work is returning to greater abstraction.